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1905 movie network news A few days ago, the film channel column launched "China film this decade — — This video will introduce the process of the deep integration of the film industry and the Internet in the past ten years, as well as a series of achievements.

When it comes to the integration of the Internet and the film industry, we will first think of online ticket purchase. In the Spring Festival of 2021, the online ticket purchase rate of the audience has reached 92.18%. The rapid development of online ticketing platform happened in the past decade. In 2013, the proportion of movie tickets purchased online was only about 16.8%, and internet plus is also a new concept. In July 2015, the State Council issued "the State Council’s Guiding Opinions on Actively Promoting the" internet plus "Action", and we formally embraced the era of "internet plus". At the same time, the film industry is also advancing at full speed, and the proportion of online movie tickets purchased in the same year officially exceeded 50%. In the next few years, with the continuous improvement of technology, this number has been rising, and now online ticket purchase has become the main way for viewers to watch movies.

The popularity of online ticket sales makes it easier and faster for viewers to buy tickets and watch movies, which greatly saves time and cost, and also stimulates the growth of box office. Through big data technology, the promotion and marketing of the film side is more accurate and efficient, which has far-reaching significance for the entire film industry.

From 2012 to 2021, a number of Internet-related film and television organizations also participated in the production, announcement and distribution of films. The number one company participated in the production and distribution of 190 films, and the cumulative box office of these 190 films reached 103.877 billion. There are three internet companies among the co-distributors of the popular National Day movies, among which there are many newly emerging companies in recent years. Internet companies have deeply laid out the entire chain of the film industry through capital, technology and culture, injecting new vitality into the film industry in terms of production, distribution and projection, and constantly inspiring new strategies, new content and new channels. Filmmakers and film companies will also actively welcome these new changes.

The film industry has always followed the footsteps of the times. In recent years, under the call of the new era, the film industry has actively explored new modes and formats in the Internet era. I believe that the film industry and the Internet will continue to play the role of one plus one greater than two in the future.

● Four-wheel drive structure

　 　 Although they are all hybrid models, the four-wheel drive structure is completely different. Wilanda adopts Toyota’s E-FOUR four-wheel drive system, and the rear axle has an independent motor to provide power output for the rear wheels. Different from the traditional four-wheel drive, its front and rear axles are almost independent, with the advantage of fast response and the disadvantage of limited torque provided by the motor. This four-wheel drive system is used in many hybrid models of Toyota. According to our previous experience, its off-road capability is very unsatisfactory.

　 　 Let’s take a look at Honda CR-V, which adopts the traditional timely four-wheel drive form, and transmits power through a group of electronically controlled multi-disc clutches, while the inter-wheel slip is limited by ESC. In theory, this four-wheel drive system can transmit up to 60% of the power to the rear wheels. From the structural point of view, its actual performance should be better than Willanda.

　　CCTV News:At the opening ceremony of the "Belt and Road" international cooperation summit forum last year, General Secretary of the Supreme Leader pointed out that "we must persist in innovation-driven development, strengthen cooperation in frontier fields such as digital economy, artificial intelligence, nanotechnology and quantum computer, and promote the construction of big data, cloud computing and smart cities, and connect them into the digital Silk Road of the 21st century". The strategic concept of "Digital Silk Road" is gradually connecting the data resources of digital economic development in countries along the Silk Road, and creating a new platform and new pattern for regional and even world economic development. It is also thanks to the rapid development and strong support of more and more data information technologies such as "Big Data+"and "internet plus" that the "Belt and Road Initiative" can tightly hold the bull’s nose of countries and people along the route, "What do you want now, what do you want most, and how to develop", which is more targeted and effective.

　　The report from the Ministry of Commerce shows that the "Belt and Road" strategy has received positive responses from more than 140 countries and regions, and 75 overseas economic and trade cooperation zones have been successfully established. The Silk Road e-commerce project vigorously carried out is providing big data, cloud computing, artificial intelligence and other services to countries along the route. The alliance of "Big Data" and "Belt and Road" to jointly play the strongest note of the era of "Digital Silk Road" can not only deeply interpret the "earth-shattering" of generate by the combination of big data and "Belt and Road", but also profoundly change the situation and situation of economic globalization and the development of the world digital economy.

　　"Big Data" has accelerated the development of "digital economy". Digital economy has become an important driving force for the development of contemporary world economy. China’s digital economy with large scale, good quality and high efficiency is becoming the "source of living water" for the development of digital economy in countries along the Belt and Road. Since 2017, China’s digital economy has been getting better and better, with fruitful results. According to the Report on the Construction and Development of Digital China (2017) released by the first Digital China Construction Summit held in Fuzhou, the scale of China’s digital economy reached 27.2 trillion yuan in 2017, up 20.3% year-on-year, accounting for 32.9% of GDP, ranking second in the world. With the help of "Big Data" and the "Silk Road" wind, Internet companies in China, represented by Alibaba, actively laid out countries along the Silk Road, built data centers, established 14 regional nodes, transplanted development models, provided online computing public services, and deeply participated in the construction of "Digital Silk Road". China telecom enterprise groups, such as Huawei and other communication companies, such as WeChat, Meitu and Big Data, are putting ""The business cards of China’s Big Data are scattered all over the world. The "sailing out to sea" of China enterprises has deeply participated in the economic transformation and development of countries along the Silk Road, profoundly changed the development pattern of digital economy in countries along the Silk Road, and vividly explained the "Digital Silk Road"’ s cooperation, co-construction and win-win situation.

　　"Big Data" rhythms the development of "Digital Silk Road" to a higher level. The smooth implementation of the "Belt and Road" needs to constantly overcome a series of problems in different regions, languages, nationalities, religions, cultures, customs, economic and social development and so on. Establish a multi-language, multi-perspective and all-round platform for sharing and disseminating big data, introduce the history and current situation of participating countries and regions, and publicize the concept and experience of "Digital Silk Road" construction. By communicating with each other, we can quickly, conveniently and effectively enhance mutual understanding among countries along the route and realize the all-round cooperation and development of "five links". The "One Belt, One Road" digital economy strategic alliance initiated by China enterprises is providing world-class "data center+cloud service" for relevant countries through the interconnection of "data flow" and "information flow" of countries along the Silk Road, forming overall technical solutions such as "smart finance", "smart investment" and "smart city", helping countries along the Silk Road to develop digital economy, build a smart lifestyle and share data development dividends. It is with "big data" and "Internet, cloud computing, artificial intelligence and other modern science and technology tools, the "Digital Silk Road" will surely light up the light of peace and development, build the road of sharing and prosperity, shape the road of openness and innovation, highlight the beauty of civilization and wisdom, and make development leap to a new level.

　　"Digital economy, data is king". The smooth construction of "Digital Silk Road" is inseparable from the participation, support and role of big data. The iterative upgrade of "Big Data" also requires the "Digital Silk Road" to provide a broad stage. "Big Data" rhythms "Digital Silk Road", which is to realize the multi-directional movement and "five-in-one" among "data flow", "information flow" and "technology flow", "talent flow" and "material flow" in countries along the Silk Road, that is, to realize the co-construction and sharing and "chain-chain correlation" among innovation chain, industrial chain, value chain, technology chain and capital chain.

　　Big data is creating a brilliant vision of the "Belt and Road" — — "Digital Silk Road". (Text/Zhang Wanqiang)

The costume drama "Try the World", starring Yang Yang and Zhao Lusi, is being broadcasted, and the discussion of the drama on the Internet remains high. In addition to the producer’s sincere quotations, the two main stars of the play also brought a lot of attention to the work.

Compared with Yang Yang’s another modern legionary teleplay "Glory of Special Warfare" in the same period, his expressive force in "Try the World" is much better.

Yang Yang’s hero, Hei Feng-xi, has never dealt with many people. He is a lonely and elegant prince. Yang Yang, who was born in the costume drama A Dream of Red Mansions, has returned again, and his own classical flavor adds a lot of color to this character.

He and Bai Fengxi, the heroine played by Zhao Lusi, have known each other in Jianghu since childhood. Although they are always compared with each other, in fact, Heifeng knows Bai Fengxi’s life very well, and will inadvertently say, "This is in line with her temper".

Every move is care. In addition to his delicate thoughts on personal feelings, Hei Fengxi is a very shrewd man.

When the governors of six States were busy searching for the "disappearing" Xuan Ji Ling, he had already seen everything and confirmed the trap of this Xuan Ji Ling. In addition, he is still a person who always regards infirmity as a camouflage color, and secretly plans for his revenge.

Looking at Yang Yang’s previous works, it is really rare to have such a dual role of being pure and kind and scheming. Jia Baoyu in A Dream of Red Mansions lives in an ideal world, Ruobai in A Cyclone Girl is forbearing and gentle, YeHua in to the sky kingdom is devoted to love, and the ruthlessness in Four Famous Boys is trapped by love. These more acceptable characters are all relying on a certain characteristic to dig deep into their works.

The only similarity is that in the movie "Left Ear", he plays the high school student Xu Yi. For a love, he gradually degenerated from a good boy with excellent grades. Yang Yang had a great contrast in this film, and he won the attention of people in the industry and the audience with this film.

Returning to the costume drama again, the complexity of black richness lies in the need to show both belly black and pure goodness at the same time, and there is no blackening process, so it is extremely difficult to play such a character. Fortunately, Yang Yang’s expressive force in the play still catches the character setting.

Let’s talk about Bai Fengxi, the heroine. At the beginning, her image was engraved in the hearts of the audience. A woman with a rough road and a recidivist who steals drugs from the Han family have a strong sense of Jianghu in her body, and her rash rate is really a major feature.

Bai Fengxi’s role-playing is much simpler without the calculation of the black man. For Zhao Lusi personally, this role is not too challenging, just step by step.

Chen Qianqian in Rumor is Zhao Lusi’s masterpiece, and one of the figures in red is full of heroic spirit. Two years later, in "Try the World", Bai Fengxi is somewhat "Chen Qianqian" and unrestrained.

Judging from Zhao Lusi’s acting experience, this type of role interpretation has always been her main tone, belonging to a large category of ancient costume assembly line works. Pulling my sister for a while will make the audience feel aesthetic fatigue if she keeps playing.

As the queen of online drama, in 2021, Zhao Lusi starred in her first drama "Long Songs". Although only a supporting role, Li Leyan’s simplicity and kindness, coupled with the silly appearance, made Zhao Lusi’s recognition in the play even changed the heroine Dilraba.

Zhao Lusi, who plays the sweet girl, can win by her appearance, and she is simple and unpretentious, so she can easily get a good impression. If the role setting is changed to drag the younger sister, Zhao Lusi’s ferocity is still much less.

Previously, it was Zhao Liying who occupied the mainstream topic in the entertainment circle with a round face, and stood firm with sweet characters such as "Come and Eat Shanshan". Later, in Xian Xia’s drama "Hua Qiangu", she changed the past, showing amazing expressive force and high praise.

Judging from the current broadcast effect, Zhao Lusi’s acting skills in "Try the World" can’t be called an outbreak, but can only be said to be quite satisfactory and somewhat routine.

In fact, an actor’s success is inseparable from a good script. Similarly, under the established character image setting, whether an actor can vividly interpret the role is also the criterion for a good actor.