North American box office： ＂Star Wars 8＂ won six new films in a row, and the ＂brave＂ won.

1905 movie network news Last weekend (12.22-12.24), the box office revenue in North America totaled $169 million, down 38.9% from the previous week. Disney’s strong trump card "Star Wars 8: The Last Jedi Knight" continued to win the weekend box office list with $68.64 million, but compared with the previous week, it suddenly dropped by 68.8%, which was a bit surprising. Fortunately, its own box office base is, and now the local box office has reached 365 million US dollars, and the global box office has reached 745 million US dollars. It is expected that there will be another good-looking "soaring" after the subsequent opening of paintings in mainland China.

In terms of new films, Dwayne Douglas Johnson starred in the highest box office, earning $50.6 million in 3,765 cinemas in five days. There are emotional blessings in word of mouth, but it is also very stable, and it is considered to be entertaining, so it is good to grasp the balance between comedy and action. As the final part, it can’t compare with the brilliance of the second part. It only got $20.45 million in 3,447 cinemas in three days over the weekend, and it was evaluated as "out of tune"! The box office of Hugh Jackman’s musical films is weak, with a total box office of $13.19 million in five days. The evaluation is seriously polarized. Those who like it think it is "full of sincerity" and "perfect and passionate", while those who don’t love it accuse it of being empty. Directed by alexander payne and starring Matt Damon, they also failed to make a difference, earning $4.6 million at the box office in three days, and receiving a moderate evaluation: "I don’t feel the fullness of the story itself". Small-scale screening won $495,000 in nine theaters in three days, with an average box office of 55,000 in a single theater, which was relatively mediocre, but the media evaluation was well maintained. From the short comments, most American media expressed their preference for Steven Allan Spielberg’s brand and basically praised its "practical significance".

Stills of "Brave Game"

"The Brave Game" is full of emotional skills. "Perfect Tone 3" is out of tune.

Recommended star rating for Brave Game: ★★★

"Perfect Tone 3" recommended interstellar: ★★★

"Father Image" recommended Star: ★★★

Sony Colombia "played" 34 million dollars in 3,765 cinemas for three days on the weekend, and the total box office for five days (the film opened last Wednesday) was 50.6 million dollars. Dwayne Douglas Johnson came out of the gloom of its earlier fiasco, which can be compared with the same period in 2007 (the first week’s box office was 44.78 million US dollars, and the final domestic box office was 219 million US dollars). At present, the word-of-mouth is very strong. If this trend continues, the final domestic box office of Game of the Brave: Battle of the Jungle is expected to reach 175 million US dollars. The film is a sequel to robin williams’s classic The Brave Game in 1995. The production cost is 90 million US dollars, and now the global box office has exceeded 100 million US dollars. It is likely to become Sony’s highest-grossing film in China except 007 and Spider-Man series, and the global box office will also become a rare "highlight" after 2015.

The movie Game of the Brave: Battle of the Jungle scored 7.2 in IMDb, 58 in MTC, 77% in freshness of rotten tomatoes, and 89% in audience. "International Screen" commented: "It is entertaining, fascinating, bright in color, ingenious in action and adventure rhythm, and well-arranged in comedy effect." Hollywood Reporter: "The most attractive thing about this film is that you can watch familiar actors pretend to be ordinary children and try to adapt to this new self." Vanity Fair holds that: "Movies can strike a balance between action and comedy. Action design serves the plot, and it is not too flashy. The special effects have also distanced themselves from the previously shoddy monkeys. The comedy elements are cleverly rooted in the characters themselves, and they are not cheap to imitate and follow fixed patterns." Some media that don’t like it, such as Variety, spit out: "This is like watching the worst, except that there is no Indiana Jones."

Universal’s Perfect Tone 3 earned $20.45 million in 3,447 theaters in three days on the weekend, which is completely inferior to the $69 million in the first week. If it can be suppressed first and then promoted like that ($75 million in the first six days and $270 million in the final box office), the final box office is expected to reach $150 million. If it’s really the last movie, it’s still a good ending. From the word of mouth, the media and fans also hope that "Perfect Tone 4 or 5" will not disturb people’s peace again. The movie Perfect Tone 3 now has an IMDb score of 6.1, an MTC score of 40, and the freshness of rotten tomatoes is 29%. "Empire" magazine thinks: "Compared with the jokes in the first two films, it is much weaker, so it drags on to a warm-hearted ending. But it’s all right to end the trilogy like this. After all, it has already started to be framed in fantasy. "International Screen" thinks: "This film finally realizes how ridiculous it is. All the cheerful and stupid plot settings are mostly to make them smoothly transition to the next song or dance. It is hard not to feel the hardship of this film." Hollywood Reporter: "No matter how charming the first two movies are (mainly because of the charm of the leading role), they have lost their charm in this soulless sequel." Chicago Sun: "In a nutshell, Perfect Tone 3 is like a comeback show that no one calls encore."Seattle Times: "It’s just the same movie going back and forth. Is it going to be over until everyone dies?" The Los Angeles Daily directly said: "Out of tune!"

Warner Bros., this year’s big winner, released another film "Father’s Image" near the end of the year, which earned 3.2 million dollars in 2,902 cinemas in three days on weekends. At present, the IMDb score of Father Image is 5.4, the MTC score is 23, and the freshness of rotten tomatoes is 22%. "Hollywood Reporter" thinks: "The whole narrative is from one encounter to the next. In fact, the image of the father doesn’t need to exist at all. If it has to appear, it can actually be developed into a Netflix series by a more comic star, and each suspicious father will talk for half an hour." San Francisco Chronicle: "Such a flawed film is simply not worth two hours." In fact, a lot of bad word-of-mouth has flowed out before the release. It can only be said that Warner’s market is doing too well, and many ordinary fans are still "laughing" with joy.

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